TYPEFACE DESIGN
Gobspeed
Custom typeface designed around a repeated counterspace and speedy, sloped stems.
Early sketches
The initial idea included strong vertical pillars and sloping shoulders. Over time, the pillars became less of a defining characteristic.
Evidently, the characters were begging to be slanted. I was no longer working with classy pillars and shoulders, but with sleek and futuristic curves and counters.
Frankenstein's monster
Here is a collection of pieces used to put together a vast majority of the typeface’s characters.
If you look closely, you might see several letters hiding inside of the figure.
TYPEFACE DESIGN
Gobspeed
Custom typeface designed around a repeated counterspace and speedy, sloped stems.
Early sketches
The initial idea included strong vertical pillars and sloping shoulders. Over time, the pillars became less of a defining characteristic.
Evidently, the characters were begging to be slanted. I was no longer working with classy pillars and shoulders, but with sleek and futuristic curves and counters.
Frankenstein's monster
Here is a collection of pieces used to put together a vast majority of the typeface’s characters.
If you look closely, you might see several letters hiding inside of the figure.
TYPEFACE DESIGN
Gobspeed
Custom typeface designed around a repeated counterspace and speedy, sloped stems.
Early sketches
The initial idea included strong vertical pillars and sloping shoulders. Over time, the pillars became less of a defining characteristic.
Evidently, the characters were begging to be slanted. I was no longer working with classy pillars and shoulders, but with sleek and futuristic curves and counters.
Frankenstein's monster
Here is a collection of pieces used to put together a vast majority of the typeface’s characters.
If you look closely, you might see several letters hiding inside of the figure.
Made by me, obviously.
Made by me, obviously.